|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| AMOUR CHANTE, L' |
1930 |
ROBERT FLOREY |
|
Director Of Photography |
| DRUNTER UND DRUBER |
1939 |
HUBERT MARISCHKA |
|
Director Of Photography |
| LEUTNANT IHRER MAJESTAT, DER |
1929 |
JACOB FLECK |
|
Director Of Photography |
| IM WEISSEN ROSSL |
1935 |
KAREL LAMAC |
|
Director Of Photography |
| VARAZSKERINGO |
1918 |
MICHAEL CURTIZ |
|
Director Of Photography |
| JA, TREU IST DIE SOLDATENLIEBE |
1932 |
GEORG JACOBY |
|
Director Of Photography |
| ALARM |
1941 |
HERBERT B. FREDERSDORF |
|
Director Of Photography |
| SCHONSTE FRAU VON PARIS, DIE |
1928 |
JACOB FLECK |
|
Director Of Photography |
| MANN, DEM MAN DEN NAMEN STAHL, DER |
1945 |
WOLFGANG STAUDTE |
|
Director Of Photography |
| ANGELIKA |
1940 |
JURGEN von ALTEN |
|
Director Of Photography |
| HOCHZEITSREISE ZU DRITT |
1939 |
HUBERT MARISCHKA |
Comedy |
Director Of Photography |
| QUARTIER LATIN |
1929 |
AUGUSTO GENINA |
|
Director Of Photography |
| QUARTIER LATIN |
1929 |
AUGUSTO GENINA |
|
Director Of Photography |
| HYPPOLIT A LAKAJ |
1931 |
STEVE SEKELY |
|
Director Of Photography |
| GROSSE PREIS, DER |
1944 |
KARL ANTON |
|
Director Of Photography |
| POSTILLON VON LONJUMEAU, DER |
1935 |
KAREL LAMAC |
Musical Comedy |
Director Of Photography |
| LACHENDE ERBEN |
1933 |
MAX OPHULS |
Romantic Comedy |
Director Of Photography |
| FALL DES GENERALSTABS-OBERST REDL, DER |
1931 |
KARL ANTON |
|
Director Of Photography |
| PARKSTRASSE 13 |
1939 |
JURGEN von ALTEN |
|
Director Of Photography |
| WENN MENSCHEN REIF ZUR LIEBE WERDEN |
1927 |
JACOB FLECK |
|
Director Of Photography |
| VERSCHWUNDENE FRAU, DIE |
1937 |
E. W. EMO |
|
Director Of Photography |
| WIRTIN ZUM WEISSEN ROSSL, DIE |
1943 |
KARL ANTON |
|
Director Of Photography |
| JUNGLING AUS DER KONFEKTION, DER |
1926 |
RICHARD LOWENBEIN |
|
Director Of Photography |
| KLEINE SKLAVIN, DIE |
1928 |
JACOB FLECK |
|
Director Of Photography |
| SPIEL UM DEN MANN |
1929 |
ROBERT LAND |
|
Director Of Photography |
| DU SOLLST NICHT STEHLEN |
1928 |
VICTOR JANSON |
|
Director Of Photography |
| LISETTA |
1933 |
CARL BOESE |
|
Director Of Photography |
| PUPPENFEE, DIE |
1936 |
E. W. EMO |
|
Director Of Photography |
| CERTAIN M. GRANT, UN |
1933 |
ROGER LE BON |
|
Director Of Photography |
| POLTERABEND |
1940 |
CARL BOESE |
|
Director Of Photography |
| LIEBE STRENG VERBOTEN |
1939 |
HEINZ HELBIG |
|
Director Of Photography |
| HAUS NUMMER 17 |
1928 |
GEZA von BOLVARY |
|
Director Of Photography |
| WOCHENENDBRAUT, DIE |
1928 |
GEORG JACOBY |
|
Director Of Photography |
| LIEBELEI |
1927 |
JACOB FLECK |
|
Director Of Photography |
| RENDEZ-VOUS IN WIEN |
1936 |
VICTOR JANSON |
|
Director Of Photography |
| KOMM' ZU MIR ZUM RENDEZVOUS |
1930 |
CARL BOESE |
Comedy |
Director Of Photography |
| DREI MADERL UM SCHUBERT |
1936 |
E. W. EMO |
|
Director Of Photography |
| FIAKERLIED |
1936 |
E. W. EMO |
|
Director Of Photography |
| LOCKSPITZEL ASEW |
1935 |
PIEL JUTZI |
Drama |
Director Of Photography |
| VORSTADTVARIETE |
1935 |
WERNER HOCHBAUM |
|
Director Of Photography |
| FRAU, DIE WEISS, WAS SIE WILL, EINE |
1934 |
VICTOR JANSON |
|
Director Of Photography |
| LUSTIGEN VAGABUNDEN, DIE |
1940 |
JURGEN von ALTEN |
|
Director Of Photography |
| LUSTIGEN VAGABUNDEN, DIE |
1928 |
JACOB FLECK |
|
Director Of Photography |
| FLORENTINE |
1937 |
KAREL LAMAC |
|
Director Of Photography |
| FAHRT IN DIE JUGEND, DIE |
1935 |
CARL BOESE |
|
Director Of Photography |
| DEUTSCHE FRAUEN -DEUTSCHE TREUE |
1928 |
WOLFGANG NEFF |
|
Director Of Photography |
| HIMMEL AUF ERDEN |
1935 |
E. W. EMO |
|
Director Of Photography |
| FREMDENHEIM FILODA |
1937 |
HANS HINRICH |
|
Director Of Photography |
| HOHEIT TANZT WALZER |
1926 |
FRITZ FREISLER |
|
Director Of Photography |
| DREIZEHN STUHLE |
1938 |
E. W. EMO |
|
Director Of Photography |
| SCHWARZWALDMADEL |
1929 |
VICTOR JANSON |
|
Director Of Photography |
| SCHICKSAL EINER SCHONEN FRAU, DAS |
1931 |
CONRAD WIENE |
|
Director Of Photography |
| HERR OHNE WOCHNUNG, DER |
1934 |
E. W. EMO |
|
Director Of Photography |
| FRASQUITA |
1934 |
KAREL LAMAC |
Opera |
Director Of Photography |
| SCHICKSAL IN KETTEN |
1946 |
EDUARD HOESCH |
|
Director |
| AFERA PLUKOVNIKA REDLA |
1931 |
KARL ANTON |
|
Director Of Photography |
| KNOX UND DIE LUSTIGEN VAGABUNDEN |
1935 |
E. W. EMO |
|
Director Of Photography |
| TONKA SIBENICE |
1930 |
KARL ANTON |
|
Director Of Photography |
| FRAUENPARADIES, DAS |
1936 |
ARTHUR M. RABENALT |
Comedy |
Director Of Photography |
| ZAREWITSCH, DER |
1928 |
JACOB FLECK |
|
Director Of Photography |
| KOSAK UND DIE NACHTIGALL, DER |
1935 |
PIEL JUTZI |
|
Director Of Photography |
| OPTIMIST, DER |
1938 |
E. W. EMO |
|
Director Of Photography |
| UNGETREUE ECKEHART, DER |
1940 |
HUBERT MARISCHKA |
|
Director Of Photography |
| OH DIESE MANNER |
1941 |
HUBERT MARISCHKA |
|
Director Of Photography |
| FESCHE HUSAR, DER |
1928 |
GEZA von BOLVARY |
|
Director Of Photography |
| ORLOW, DER |
1927 |
JACOB FLECK |
|
Director Of Photography |
| ROMAN EINES ARZTES |
1939 |
JURGEN von ALTEN |
|
Director Of Photography |
| DYCKERPOTTS ERBEN |
1928 |
HANS BEHRENDT |
|
Director Of Photography |
| GLUCK WOHNT NEBENAN, DAS |
1939 |
HUBERT MARISCHKA |
|
Director Of Photography |
| GLUCKLICHSTE EHE DER WELT, DIE |
1937 |
KARL HEINZ MARTIN |
Comedy |
Director Of Photography |
| FRUHLINGS ERWACHEN |
1929 |
RICHARD OSWALD |
|
Director Of Photography |
| FIDELE BAUER, DER |
1927 |
FRANZ SEITZ |
|
Director Of Photography |
| ALLES FUR GLORIA |
1941 |
CARL BOESE |
|
Director Of Photography |
| GROSSE FALL, DER |
1945 |
KARL ANTON |
|
Director Of Photography |
| GEWISSER HERR GRAN, EIN |
1933 |
GERHARD LAMPRECHT |
|
Director Of Photography |
| MADEL VON DER REEPERBAHN, EIN |
1930 |
KARL ANTON |
|
Director Of Photography |
| FURSTENKIND, DAS |
1927 |
JACOB FLECK |
|
Director Of Photography |
| WEISSE WASCHE |
1942 |
PAUL HEIDEMANN |
|
Director Of Photography |
| KOLLEGE KOMMT GLEICH |
1943 |
KARL ANTON |
|
Director Of Photography |
| FREUNDIN EINES GROSSEN MANNES, DIE |
1934 |
PAUL WEGENER |
Comedy |
Director Of Photography |
| ABENTEUER IN MAROKKO |
1938 |
LEO LAPAIRE |
|
Director Of Photography |
| MANN, VON DEM MAN SPRICHT, DER |
1937 |
E. W. EMO |
|
Director Of Photography |
| VIER TREPPEN RECHTS |
1944 |
KURT WERTHER |
|
Director Of Photography |
| EVA |
1935 |
JOHANNES RIEMANN |
|
Director Of Photography |
| PROFESOR DE MI MUJER, EL |
1930 |
ROBERT FLOREY |
Musical Comedy |
Director Of Photography |
| HOCHSTAPLERIN, DIE |
1943 |
KARL ANTON |
|
Director Of Photography |
| MEINE FRAU TERESA |
1942 |
ARTHUR M. RABENALT |
|
Director Of Photography |
| UNENTSCHULDIGTE STUNDE, DIE |
1937 |
E. W. EMO |
|
Director Of Photography |
| TRE RAGAZZE VIENNESI |
1942 |
HUBERT MARISCHKA |
|
Director Of Photography |
| MUDE THEODOR, DER |
1936 |
VEIT HARLAN |
|
Director Of Photography |
| HASENKLEIN KANN NICHTS DAFUR |
1932 |
MAX NEUFELD |
|
Director Of Photography. |