|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| WINNETOU UND SEIN FREUND OLD FIREHAND |
1967 |
ALFRED VOHRER |
Western |
Director Of Photography |
| KRAMBAMBULI |
1940 |
KARL KOSTLIN |
|
Director Of Photography |
| WAS IST DENN BLOSS MIT WILLI LOS? |
1970 |
WERNER JACOBS |
|
Director Of Photography |
| FRUHREIFEN, DIE |
1957 |
JOSEF von BAKY |
|
Director Of Photography |
| MUSIK IM BLUT |
1955 |
ERIK ODE |
|
Director Of Photography |
| SCHUSSE IM DREIVIERTELTAKT |
1965 |
ALFRED WEIDENMANN |
|
Director Of Photography |
| WIE KOMMT EIN SO REIZENDES MADCHEN WIE SIE ZU DIESEM GEWERBE? |
1969 |
WILL TREMPER |
|
Director Of Photography |
| ...HEUTE ABEND BEI MIR |
1934 |
CARL BOESE |
|
Director Of Photography |
| BALL IM SAVOY |
1955 |
PAUL MARTIN |
|
Director Of Photography |
| HERREN MIT DER WEISSEN WESTE, DIE |
1970 |
WOLFGANG STAUDTE |
Comedy |
Director Of Photography |
| DR. MED. FABIAN - LACHEN IST DIE BESTE MEDIZIN |
1969 |
HARALD REINL |
Comedy |
Director Of Photography |
| FALSCHER VON LONDON, DER |
1961 |
HARALD REINL |
|
Director Of Photography |
| TOTEN AUGEN VON LONDON, DIE |
1960 |
ALFRED VOHRER |
|
Director Of Photography |
| WAS EINE FRAU IM FRUHLING TRAUMT |
1959 |
ERIK ODE |
|
Director Of Photography |
| SABINE UND DIE 100 MANNER |
1960 |
WILHELM THIELE |
|
Director Of Photography |
| LIEBE, TANZ UND 1000 SCHLAGER |
1955 |
PAUL MARTIN |
Musical |
Director Of Photography |
| AM TAG ALS DER REGEN KAM |
1959 |
GERD OSWALD |
|
Director Of Photography |
| OLD SUREHAND I |
1965 |
ALFRED VOHRER |
Western |
Director Of Photography |
| HEXER, DER |
1964 |
ALFRED VOHRER |
|
Director Of Photography |
| GASTHAUS AN DER THEMSE, DAS |
1962 |
ALFRED VOHRER |
|
Director Of Photography |
| TUR MIT DEN SIEBEN SCHLOSSERN, DIE |
1962 |
ALFRED VOHRER |
|
Director Of Photography |
| BUCKLIGE VON SOHO, DER |
1966 |
ALFRED VOHRER |
|
Director Of Photography |
| MANN MIT DEM GLASAUGE, DER |
1968 |
ALFRED VOHRER |
Mystery |
Director Of Photography |
| ...UND DAS AM MONTAGMORGEN |
1959 |
LUIGI COMENCINI |
|
Director Of Photography |
| INDISCHE TUCH, DAS |
1963 |
ALFRED VOHRER |
|
Director Of Photography |
| NEUES VOM HEXER |
1965 |
ALFRED VOHRER |
|
Director Of Photography |
| GRUN IST DIE HEIDE |
1972 |
HARALD REINL |
|
Director Of Photography |
| GORILLA VON SOHO, DER |
1968 |
ALFRED VOHRER |
Thriller |
Director Of Photography |
| IM BANNE DES UNHEIMLICHEN |
1968 |
ALFRED VOHRER |
|
Director Of Photography |
| MEIN HERZ DARFST DU NICHT FRAGEN |
1952 |
PAUL MARTIN |
|
Director Of Photography |
| TOTE AUS DER THEMSE, DIE |
1971 |
HARALD PHILIPP |
Thriller |
Director Of Photography |
| FLORENTINER HUT, DER |
1939 |
WOLFGANG LIEBENEINER |
|
Director Of Photography |
| AB MITTERNACHT |
1938 |
CARL HOFFMANN |
|
Director Of Photography |
| HURRA, WIR SIND MAL WIEDER JUNGGESELLEN! |
1971 |
HARALD PHILIPP |
Comedy |
Director Of Photography |
| SCALA -TOTAL VERRUCKT |
1958 |
ERIK ODE |
|
Director Of Photography |
| CLIVIA |
1954 |
KARL ANTON |
|
Director Of Photography |
| NACHT AM SEE, DIE |
1963 |
WERNER KLINGER |
|
Director Of Photography |
| UNSER HAUS IN KAMERUN |
1961 |
ALFRED VOHRER |
|
Director Of Photography |
| WENN FRAUEN SCHWINDELN |
1957 |
PAUL MARTIN |
|
Director Of Photography |
| ROSEL VOM SCHWARZWALD, DIE |
1956 |
RUDOLF SCHUNDLER |
|
Director Of Photography |
| IN FRANKFURT SIND DIE NACHTE HEISS |
1966 |
ROLF OLSEN |
|
Director Of Photography |
| TORREANI |
1951 |
GUSTAV FROHLICH |
|
Director Of Photography |
| STERN VON SANTA CLARA, DER |
1958 |
WERNER JACOBS |
|
Director Of Photography |
| SCHUTZENLIESEL |
1954 |
RUDOLF SCHUNDLER |
|
Director Of Photography |
| AUS DEM TAGEBUCH EINES FRAUENARZTES |
1959 |
WERNER KLINGER |
|
Director Of Photography |
| FRAULEIN CASANOVA |
1953 |
E. W. EMO |
|
Director Of Photography |
| KEIN ENGEL IST SO REIN |
1960 |
WOLFGANG BECKER |
|
Director Of Photography |
| RASTHAUS DER GRAUSAMEN PUPPEN, DAS |
1967 |
ROLF OLSEN |
|
Director Of Photography |
| MELODIE UND RHYTHMUS |
1959 |
JOHN OLDEN |
Comedy |
Director Of Photography |
| ERSTE FRUHLINGSTAG, DER |
1956 |
HELMUT WEISS |
|
Director Of Photography |
| ZINKER, DER |
1965 |
ALFRED VOHRER |
|
Director Of Photography |
| TAUSEND AUGEN DES DR. MABUSE, DIE |
1960 |
FRITZ LANG |
|
Director Of Photography |
| WILLI WIRD DAS KIND SCHON SCHAUKELN |
1972 |
WERNER JACOBS |
|
Director Of Photography |
| SPUKSCHLOSS IM SALZKAMMERGUT, DAS |
1965 |
HANS BILLIAN |
|
Director Of Photography |
| LANGE BEINE, LANGE FINGER |
1966 |
ALFRED VOHRER |
|
Director Of Photography |
| ICH KANN NICHT LANGER SCHWEIGEN |
1962 |
JOCHEN WIEDERMANN |
|
Director Of Photography |
| SCHONE MEISTERIN, DIE |
1956 |
RUDOLF SCHUNDLER |
|
Director Of Photography |
| UNTER DEN DACHERN VON ST. PAULI |
1970 |
ALFRED WEIDENMANN |
|
Director Of Photography |
| UNSER WILLI IST DER BESTE |
1971 |
WERNER JACOBS |
|
Director Of Photography |
| AUS EIGENER KRAFT |
1953 |
FRANZ SCHROEDTER |
Documentary |
Director Of Photography |
| 20. JULI, DER |
1955 |
FALK HARNACK |
|
Director Of Photography |
| ICH ZAHLE TAGLICH MEIN SORGEN |
1960 |
PAUL MARTIN |
|
Director Of Photography |
| MONCH MIT DER PEITSCHE, DER |
1967 |
ALFRED VOHRER |
|
Director Of Photography |
| SEITENSPRUNGE |
1940 |
ALFRED STOGER |
|
Director Of Photography |
| HUND VON BLACKWOOD CASTLE, DER |
1968 |
ALFRED VOHRER |
|
Director Of Photography |
| JUDAS VON TIROL, DER |
1933 |
FRANZ OSTEN |
|
Director Of Photography |
| UNTER GEIERN |
1964 |
ALFRED VOHRER |
Western |
Director Of Photography |
| IM STAHLNETZ DES DR. MABUSE |
1961 |
HARALD REINL |
|
Director Of Photography |
| VETTER AUS DINGSDA, DER |
1953 |
KARL ANTON |
|
Director Of Photography |
| LETZTE RITT NACH SANTA CRUZ, DER |
1964 |
ROLF OLSEN |
Western |
Director Of Photography |
| EINMAL EINE GROSSE DAME SEIN |
1957 |
ERIK ODE |
|
Director Of Photography. |